Explaining the defamiliarization aspects in the illustration of Faramarz Pilaram’s collection of Ghesas Al- Quran based on Geoffrey N-Leech Deviation theory

Persian Miniature, as one of the authentic facets of Islamic art, has been intricately linked to the narrative of literary and scientific texts, providing a visual translation of these works. The visual and narrative expression in these artworks reached its zenith when intertwined with Quranic themes and narratives.
By employing these techniques, he viewer's eyes are opened to new perspectives. "Deviation," as one of the most effective methods of highlighting and defamiliarizing, is also considered one of the fundamental components of modern literary stylistics and criticism. The formal and content-related aspects of "deviation" have been expanded in the theories of Jeffrey Leech.The artists of the Saqqakhaneh school, while preserving the roots of the past, focused on modernity and innovative expression in their works. By combining traditional concepts and themes in modern compositions, they attempted to defamiliarize Iranian art. Among the artists of the Saqqakhaneh movement, Faramarz Pilaram is considered a pioneer, as he placed greater emphasis on form than content and defamiliarized traditional Iranian painting by combining concepts and traditional themes in modern compositions.. It then applies this pattern to the analysis of the collection of Quranic stories by Faramarz Pilaram and the narrative themes of the life of Prophet Joseph. According to the findings of the research, this pattern has proven to be a suitable framework for the visual arts, and it has manifested itself most effectively in the collection of Quranic stories.