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Professor, Department of Graduate Art Studies, College of Fine Arts, University of Tehran
Abstract
Ishhragi intuition, which is based on Sohrawardi's novel theory about vision, is the transference of the soul as a light identity (Noor Esfahbad) to the abstract or material matter, which is realized by this transference and encirclement, the matter of vision. The strength of this vision or intuition is to reduce the sensual activities and increase the spiritual tenderness, which is possible with conduct, meditation and discipline. In this state, the sparks of light begin to shine and it becomes possible to receive unique images in the world of Ideal. The construction of the world of example is also an invention of Sheikh Shahid, and due to the nature of its imaginative formulation and its similarity and connection with the power of imagination, it is important in art. An artist who is equipped with sufficient technical and artistic ability and follows the path of conduct and meditation like a person of Chivalrous, the report of his intuitions will become a noble art, whose examples can be traced in the unique works of the Safavid, Gothic era and a few contemporary works.
Mahdavinejad,M. and Bolkhari Ghahi,H. (2024). Intuition of Ishhragi School and its relationship with artistic intuition. Theoretical Studies of Art, 4(7), 5-30.
MLA
Mahdavinejad,M. , and Bolkhari Ghahi,H. . "Intuition of Ishhragi School and its relationship with artistic intuition", Theoretical Studies of Art, 4, 7, 2024, 5-30.
HARVARD
Mahdavinejad M., Bolkhari Ghahi H. (2024). 'Intuition of Ishhragi School and its relationship with artistic intuition', Theoretical Studies of Art, 4(7), pp. 5-30.
CHICAGO
M. Mahdavinejad and H. Bolkhari Ghahi, "Intuition of Ishhragi School and its relationship with artistic intuition," Theoretical Studies of Art, 4 7 (2024): 5-30,
VANCOUVER
Mahdavinejad M., Bolkhari Ghahi H. Intuition of Ishhragi School and its relationship with artistic intuition. Theoretical Studies of Art, 2024; 4(7): 5-30.